In the chapters read from “Blues
People” by Amiri Baraka, the evolutionary process of Blues was shown. Baraka
emphasized the factors and social conditions that caused a change in the native
African music and how that led to the development of Blues. The first African
slaves that came to the Americas through the slave ships initially sang about
their gods and religion, however the slave masters disliked the fact that they
link themselves from Africa and their own gods. The masters tried to resolve
this by forbidding the enslaved from speaking anything about religion linked to
their heathen roots. Little by little, generations by generations, the new
generation of African-American slaves knew less and less about their heritage
and with them change their music. Despite the African Americans having their
own language and musical instruments such as banjo and xylophone, they had to
transition into another language and music instruments in this case the English
language and European music instruments, which ironically were influenced by
African music instruments. African Americans, due to the language transitioning
started developing their own “slang” and even spelling words differently such
as “iggle” for eagle. The African Americans were then converted into
Christians, during slavery; they went to a praise house. The church banned
songs they think are sinful, including "fiddle sings," "devil
songs," "jig tunes," and the "corn song." And further
ban their music instruments such as the violin and the banjo, which was
considered as evil. The church completely transformed the African American
culture and their music.
The
African Americans try to maintain an ethnic viewpoint that is deflected onto
their music, White masters did a lot of influence on the Blue as well, but they
influence it more by oppressing the African Americans, depriving them of their
own culture, which initiated the evolution of their music that was all about
folklores and religion into Jazz which further evolved into Blues. Music is
able to express and preserve a cultural identity, despite most being forgotten,
and pass it down to evolve further more in the future. According to Bakara,
cultural products are based on and determined by outside and inside force. In
this case the African American started with their own songs to communicate with
their god and the white trying to erase their culture.
1 comment:
I also responded to the fact blues allowed Afro-Americans to maintain their cultural validity in the face of oppression. Being primarily influenced by the harsh times rather than the good, their art reflected the pains of life in America. I agree that "evolution" would be a fitting term as it fairly was an adaptation to the constantly changing times.
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